The Memory Pendulums

Posted on Thursday 20 May 2010

The Memory Pendulums

A sound Installation affected by contact and gravity, the Memory Pendulums modulate the spoken measure of a poem written by the Australian poet Jill Jones. Her words flow randomly in time with the playful swinging back and forth of three diamond shaped acrylic water pendulums, each filled to a different capacity with a blue toxic liquid, triggering a different memory, dripping into the muddy waters of the Parramatta River …..

Jill’s poem floats behind the pendulums, which play the words in 3 parts as they swing.

Jill Jones Poem Flows

Listen to the poem in three parts:

Water as memory > 

Sources >

Dry and wet >

See the installation at:

memoryflows_invite

sodacake @ 1:03 pm
Filed under: sodacake
Play 109 @ Loop Space

Posted on Monday 7 December 2009

Play 109 is an interactive sound, video and graffiti installation by Damian Castaldi & Solange Kershaw  in collaboration with the artist/programmer Neil Jenkins and Jake Lewis of the Amerg Collective. See the Loop Space website for more details.

Watch a video of the opening night as part of the Renew Newcastle first Friday of the month events in the Newcastle mall on the 4th of December 2009.


Click here to watch video

play109_opening

Play 109 the second in a series of interactive sound installations sodacake are installing in 2009/2010. The first, Play 44 was installed in Melbourne in October 2009 at the historic house, Villa Alba in Kew. Each installation transforms a different location (shopfront, historic house, gallery, mall etc …) into a musical instrument, which people can then engage with and play. The instrument changes uniquely in relation to the location and its surroundings and takes the number of the street address for the title of the work, (as in 109 Hunter St Newcastle and 44 Walmer St Kew).
An underlying influence in this series of sound installations comes from the late 1940’s and 1950’s movement known as Musique Concrète, in that its pioneer Pierre Schaeffer, “emphasized the importance of play (in his terms, jeu) in the creation of music. Schaeffer’s idea of jeu comes from the French verb jouer, which carries the same double meaning as the English verb play: ‘to enjoy oneself by interacting with one’s surroundings’, as well as ‘to operate a musical instrument’.” This notion is the core of Musique Concrète and the underlying influence to Play 109.

sodacake @ 6:40 am
Filed under: sodacake and sound installation
Play 44 at the Villa Alba in Melbourne

Posted on Friday 30 October 2009

A touch sensitive sound and photomedia installation at the Villa Alba Museum in Melbourne exhibited as part of Reverie and curated by Sarah Parker. In this video Scotty Lewin plays the sensor interface installed in front of the window from where the image was taken.


Click here to watch video

Scott playing 44

Scott playing 44

sodacake @ 9:56 am
Filed under: sodacake and sound art and sound installation
Now Playing – Coal Country, Newcastle East

Posted on Saturday 16 May 2009

Coal Country, Newcastle East

Coal Country, Newcastle East

sodacake @ 3:27 am
Filed under: sodacake and sound art